Modifying the
Epiphone Valve Junior Guitar Amplifier
"From least to beast"
Mod 2 -- Installing the BitMO TRIO Mod

Gearscore.com's
Modifying the Epiphone Valve Junior
Guitar Amplifier
PAGE 1 |
2
| 3 |
4 |
5 |
6 |
7 |
8
This chapter begins some actual
circuit modifications, since the release of the EVJ in
summer of 2006, many folks have picked up on modifying this
amplifier. It has quite a following, well built on a stable
platform, a simple Class A single-ended circuit design and
packaged in a pretty durable and attractive enclosure -- makes
this amplifier a great choice for modifications.
Bruce Hutcheon is one of the folks that took a serious
step towards modifying the EVJ, forming his company "BitMO,"
he has several mod "kits" now available, Bruce's BitMO
kits can be found at these locations:
Bruce, like many of us, is
a guitar player and gear head who has put a lot of time and
experimentation into his mods, through trial and error --
finding some of the best kits to be had for the EVJ.
There are many other advertised mods, especially on eBay
-- be aware that many of the $5 to $15 variety are just a set of
instructions for mods that may or may not work very well.
BitMO kits come complete with parts selected to work well
within amplifiers and a set of fairly well written instructions.
In this chapter, I will describe the modifications, some of the
major steps to install and an overall assessment of the BitMO
"TRIO" modification kit.
The BitMO TRIO mod is actually two kits combined, one formerly know as the "DUO" and a second mod known as the Voicing/Gain mod. In stage one, we will be installing the "DUO" portion of the kit. This mod involves installing a control pot on the front panel of the EVJ, the control pot is a push/pull type, when pulled -- you boost the current tone setting.
The Tone control side of the pot (pushed in) is fairly standard, used on many early tweed style amps from Fender, Ampeg and Gibson, and it is used extensively in many boutique style amps still today.
When boosted with the knob pulled out, BitMO refers to the tone as, bottom heavy chunk to sweet overdrive to full on mayhem as the control is rotated.
So lets get started!
You will need your tools for this mod, and I will assume that you have the amplifier unplugged and the back panel already off. You will also need a drill for this mod, fitted with a 5/16" drill bit, for mounting the control pot on the front panel of the EVJ.
First step will be to remove the chassis from the enclosure, you will find 4 plastic cover/inserts on the top of the EVJ, using a thin bladed knife -- work the edges up (taking care not to mar the covering material), until you can pull the inserts out. In the holes will be 4 large Phillips head cap screws. Remove the 4 screws and then extract the chassis from the EVJ enclosure.
The yellow highlighted area in Figure 3-1 illustrates where the Stage 1 modification will be installed.

Figure 3-1. Chassis Removed
Open the baggie you received in the kit, there should be 3 capacitors, 1 electrolytic (polarized) capacitor, 1 resistor, a control pot with "chicken head" knob and some jumper wire, see Figure 3-2.

Figure 3-2. Stage 1 Parts
The first steps will be to follow the included instruction and wire the control pot up. See the illustration in Figure 3-3 for a completely wired control pot. Notice that I use a pair of vice-grip pliers to lightly hold the pot while I work on it -- makes it easier to solder connections.

Figure 3-3. Wired Control Pot
Now that you are confident that you have the control pot wired connected, it is time to mount the control pot to the front panel of the chassis.
BitMO supplies a drill template to locate the placement of the control -- I recommend you use it, placement is critical, as different areas within the chassis are more prone to interference than others. Bruce found that mounting the knob where indicated, reduces the need to provide shielding for the control. Figure 3-4 shows proper placement of the knob hole where the "X" is.

Figure 3 4. Locating the Control Pot
After drilling and installing the control pot, your EVJ front panel will be sporting a new knob and look as illustrated in Figure 3-5.

Figure 3-5. A New Tone Knobs
Continue to follow the instructions and wire the control pot to the PCB at 4 points where indicated in the documentation.
Note: I chose to drill and mount the pot before wiring it in as stated in the instructions, I find it a little easier to keep gangly wire lengths down to a minimum if the pot is already mounted to the chassis.
Figure 3-6 illustrates the PCB and is highlighted in the areas we will be working in.

Figure 3-7 illustrates the stock schematic for the PCB and is highlighted where the circuit changes occur with this stage of the TRIO mod.

Figure 3-7. Stock Schematic
Double check your work, compared to the illustrations in the instructions, if it looks good, let's continue to the next section, which is testing this stage of modification!. See Figure 3-8 for how I installed the control pot to the front panel and wired it to the PCB.

Figure 3 8. Control Installed and Wired
3.4 -- Testing the Stage 1 Mod
I'll say it again -- even though this is a very simple modification -- double check your connections -- BEFORE applying power!
Since this is half of the BitMO TRIO mod kit, I won't be making audio samples, rather I'll be making more samples at the end after Stage 2 is complete.
Interim testing of the amp is a good thing to do though, so plug it in and fire it up. I found that the tone control installed in this stage is very effective. Finally, I am beginning to enjoy the sound coming from this amp, being able to adjust the tone is a huge plus!
The pull on boost works very effectively as well, I found that the tone control between the 5:00 and 7:00 positions, with the boost kicked in, creates a very manageable sound with a nice bright and nasty bite to it. This mod alone, is worth doing to the amp -- giving it far more flexibility over an amp with no tone control.
The Stage 2 modification, like the Stage 1, is very simple, it involves wiring a DPDT (double pole double throw) 3-way switch, and again -- installing it to the front panel by drilling a hole. The advertised function of this switch is to add still more gain and change the voicings to the amp.
With the switch in the "Low" position, modest gain is employed and a classic Fenderish tone is output. With the switch in the "Mo" (middle) position, a little more gain is dialed in. In the third position or "Whoa" -- a classic metal/British tone is cut in, with high gain -- advertised as total "mayhem." All in all, with three selectable voicing/gain settings from the switch and two levels of gain/variable tone available from the stage 1 DUO mod -- the amp will have a total of six selectable voicing circuits after this mod is completed.
Lets get to it!
None to speak of, unless you mounted the chassis back into the enclosure after installing the Stage 1 mod. If you did, repeat the steps to remove the chassis from the enclosure -- and of course, follow all safety precautions, including unplugging the amp if it is plugged in.
Open the baggie you received in the kit, there should be 3 capacitors, 1 toggle switch, and 1 resistor, see Figure 3-9.

Figure 3-9. Stage 2 Parts
The first steps will be to follow the included instruction and wire the toggle switch up.
Note: At this point, if you have a Version 1 or Version 2 PCB, it will be wired differently than a Version 3 PCB. This is explained in the BitMO instructions clearly, for this project -- I'll be following the Version 3 wiring diagram.
See the illustration in Figure 3-10 for a wired Version 1 and Version 2 toggle switch.

Figure 3-10. Wired Toggle Switch (Version 1 and Version 2 only)
See the illustration in Figure 3-11 for a wired Version 3 toggle switch.

Figure 3-11. Wired Toggle Switch (Version 3 only)
Now that you are confident that you have the toggle switch wired correctly, it is time to mount the switch to the front panel of the chassis and wire it to the PCB.
BitMO recommends placement of the toggle switch between the volume control and input jack to keep the wiring away from the big caps on the PCB, placement is critical, as different areas within the chassis are more prone to interference than others. Figure 3-12 shows how I placed the toggle switch and wired it into the PCB circuit. For Version 1 and Version 2 owners, read the Version 3 insert that comes with the documentation -- the connections made to the circuit board are much easier to make as shown in the insert, and work for all versions of the PCB.

Figure 3-12. Toggle Switch Wired In
Figure 3-13 illustrates the stock schematic for the PCB and is highlighted where the circuit changes occur with this stage of the TRIO mod.

After drilling and installing the toggle switch, your EVJ front panel will be sporting another new feature and look as illustrated in Figure 3-14.

Figure 3-14. A New Switch!
3.8 -- Mod-2 Summary and Samples
First off, just let me tell you folks -- this mod kit works! I am thoroughly impressed with the quality of sound now coming from the EVJ, to the point of I would use this amp to record with now. The instructions for Stage 2 were a little confusing at first -- but reading carefully, I was able to follow them well enough to get it installed and working on the first try.
I especially like the tone of this amp with the boost knob pulled out at the 6:00 position, volume at the 6:00 position and the toggle switch set to "Whoa" (highest). The TRIO mod, as anticipated added some brightness to the amp overall, much of the gain "noise" has been tamed and the result on the higher settings is very rich, creamy and smooth. With a little reverb added, this amp could do a pretty fair Pink Floyd to Santana type tone. The sustain is now much better at the higher settings, with a very controllable and musical feedback coming in. The cleans at the lower volumes have improved as well, but not as dramatically as the high gain stuff.
I really didn't find that much of a difference between the "Low" toggle switch setting and the "Mo" setting, especially when the boost knob was pulled on. But flipping it in "Whoa" (highest), really does bring this amp to life. If I were to gig with this amp right now, with only this mod installed -- I would throw a Marshall Guvnor or other overdrive pedal in front of it for a pure metal sound. When I ran it full blast on everything, a very fat Mesa Mk 1 type of tone came out of it on the neck pickup -- I was pretty surprised.
For the price -- this mod kit from BitMO makes a huge difference and is well worth the time, effort and cost to implement -- converting this amp into a real musical unit, very nice indeed.
Here are some more samples -- note that the syntax is Mod, Volume, Boost and Toggle. So the name of Mod2-1200-B1T1 will translate to Mod-2 (TRIO), Volume at 12:00, Toggle in the Low (1=Low, 2=Mo, 3=Whoa) and Boost on (1=on, 0 =off) position. A total of 6 new random samples have been added with this mod.
Taking a moment to reflect here, before moving on, given the small cost involved and the relatively easy installations up to this point -- the EVJ really has become very musical. The samples while still too inarticulate for me are a little deceiving here, being played only on the warm neck PU. Switching over to the high output bridge pickup produces very glass edge cutting tones when run hard. I also elected to include a clean clip on my Strat through this amp -- just to show that it has lost much of its fartiness and is bordering on a nice chimey/transparent tone when played clean with single coils.
Also of interest is the way the db curve is changing as I go through these mods -- right now, it seems like the clean headroom has been lowered and the loudness output has somewhat flattened out between the 12:00 and full volume positions. I should also mention that the tone control itself is very functional, on all the samples for Mod-2. I had the tone control between 11:00 and 1:00 -- if you like treble on cleans, the new tone control will certainly get them far beyond what the stock amp has to offer. I didn't find the tone as effective when the amp was running full blast, but until the volume reaches about 1:00, its very usable and effective.
Big thumbs up to BitMO for an excellent modification kit!
Materials: BitMO TRIO Mod Kit
Total cost: approx. $49.95
Time to complete: approx. 2 hours
Total investment: Amp/Mod-1 $116.95 + TRIO mod $49.95 = $166.90
Gearscore.com's
Modifying the Epiphone Valve Junior
Guitar Amplifier
PAGE 1 |
2
| 3 |
4 |
5 |
6 |
7 |
8
For more information, assistance, quotes
or inquiries:

9167 Independence Ave. • Chatsworth,
CA 91311 • FAX (818) 998-7835
Info@MercuryMagnetics.com
•
www.MercuryMagnetics.com
PRICE
LIST / CATALOG
(818) 998-7791